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![]() ![]() The result is an exciting and highly realistic film, whose new set cost, mainly for studio replicas, was well under the imposed limit. 13,000), Hitchcock with his cast and crew took over the entire city for four weeks, converted it into a complete motion-picture studio. Instead of building a studio version of a typical American city, his main setting, he searched for a ready-made one. To shoot scenes supposed to take place in New Jersey, he traveled cross-country and shot them in New Jersey. Instead of elaborate sets he used the real thing. Accustomed to spending more than $100,000 on sets alone for one picture, Hitchcock made Shadow Of A Doubt by reverting to the "location shooting" of early movie days. ![]() As a director of one of the first movies to be produced under the Government restriction placing a $5,000 ceiling on new materials used for sets, he has shown he has more than one trick up his sleeve. ![]() Hitchcock makes thriller under WPB order on new setsĪs a director of movies like The Lady Vanishes, Foreign Correspondent, Rebecca and Saboteur, Alfred Hitchcock has already proved himself ingenious in creating suspense-filled melodramas. keywords: Alfred Hitchcock, Edna May Wonacott, Foreign Correspondent (1940), Rebecca (1940), Saboteur (1942), Santa Rosa, California, Shadow of a Doubt (1943), Teresa Wright, The Lady Vanishes (1938).article: Shadow of a Doubt: $5,000 Production. ![]()
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